Autocomplete are a group of “rudderless kids” based in San Francisco, grinding out a brash and punky brand of Garage Rock. Their sound has more in common with The Stooges and former SF band, Thee Oh Sees, than other California contemporaries like the Allah-Las, or The Fresh & Onlys. Check out their captivating video for the gritty song “Fish” below.
Posts tagged ‘Indie’
Author : Mary Tsoules
TurnStyle continues to bring us the best new underground acts for their third show of the Back to School Special series. The kickoff party was pretty dope. If you missed it, catch up with my review here.
Friday night (9/20/13) was one of those perfect nights to go out. You know, absolutely clear, just the right temperature, etc. It seemed like everyone was totally feeling a break after the long week and the streets of the Lower East Side were packed. So the crowds didn’t surprise me when I walked into Pianos.
I made it just in time for the start of Indie electronic duo KNTRLR. The pair performed an eclectic range of tunes for us. The majority of the tracks held true to their Indie/Alt rock style, which is always pretty rad to see live, especially with the musical talent of these guys. However, they added an electronic element to the performance as well. Mixing beats along with a live band makes things all the more interesting to the ear. In the background played a sort of promo video that seemed to be made especially for this occasion, which was cool.
The headliner for the evening was next: Clementine and the Galaxy. Another eclectic duo making savory sweet tunes. This pair’s focus is on electro-pop and they sure do it well. Before even seeing them live, they had me replaying their entire debut EP, Clementine and the Galaxy over and over again.
The pair file themselves under what they call “art pop”, a genre totally new to me. Apparently the likes of Kate Bush and Björk are classified under the same genre (no it’s not just the title of Lady Gaga’s new album…). Art Pop is defined as “a genre that blends the melodies of Pop music with unconventional or experimental elements.”
Julie Hardy (Clementine) and Mike MacAllister (the Galaxy) are the two masterminds behind this contagious Pop music. The two met while doing a commercial project in which Hardy was hired to sing and MacAllister was the recording engineer. These two are the kind of collaboration that take music very seriously. They both have unique talents to offer in the music world and their endless accomplishments listed in their bio show it. Impressive as they may be, they are both extremely down to earth, and humble, as can be seen in their TurnStyle interview that was conducted just before the show.
Electro-pop (or Art Pop) can sometimes be a hard genre to pull off live (in my opinion). When every sound isn’t organically created, (i.e. the use of synthesizers, loopers, and samplers) it can be hard to keep the audience focused. But with compelling dance music and honest talent like Hardy and MacAllister, you’ve got one hell of an entertaining show. Clementine dressed the part, in a futuristic get-up and black mask. They played all the songs on their EP, which was fun to hear live after just hearing the recorded versions. But the best part was when they broke out some of their new songs. One of my favorites was “Lazer Gunz”; definitely going to be a winner in my book. Their energy was so great for the entire show, at one point asking, “Are you guys gonna dance?!”, and we certainly did. How can you not?
So far, TurnStyle’s insider genius proves to be accurate. So stop missing out on all these fabulous up-and-comers in the industry! The final show in TurnStyle’s Back to School Special series is happening tomorrow, Saturday, October 19th at Tammany Hall, and is a part of the 2013 CMJ Music Marathon. Buy tickets here! This means there’s no excuse to not tweet about the wonderful Body Language first. The show also features notable support from TECLA and Psychobuildings.
XOXO Frizzy Blonde
Author : Mary Tsoules
Let’s be real, going back to school after an awesome summer kind of sucks. On the other hand, great new music rules. Last Thursday night(9/5/13) kicked off TurnStyle Music Group’s Back To School Special. The series involves a collection of emerging artists from New York City’s underground music scene.
The Frizzy Blonde was on site to report on the successful series launch.
The night started off with soon-to-be-soul-star, MEKIA. We all watched, wide-eyed, as the multi-talented, four-piece ensemble created an eclectic mix of genres on stage. There’s nothing like being delightfully impressed at a live show. I arrived at the venue not knowing what MEKIA would sound like. Even the band describes itself as an “experience that will always elude description.” And it’s so true. One song had some gospel undertones, one, a bit of country, and another, some tribal drums to really get you baffled. Without any recorded songs yet, tonight was the only time you could experience this “six-layer nacho dip that is piano, violin, drums, bass, guitar, and vocals.” But keep a close eye on these guys. After a quick chat after the show, Mekia herself told me they’ll be solely focusing on recording for the next few months. That means more “nacho dip” for us. HELL YES.
Next up was string composer duo, Charly and Margaux. You might be thinking: what are classical composers doing in a line-up like this and at a venue like DROM? Or at least that’s what I was thinking. Their title sounded more like it belonged in a symphony hall or a ballet. But I was certainly mistaken/delightfully impressed, yet again. For those in the audience who knew nothing about these talented ladies, they were about to experience a real change of perspective. The violinist and violist (respectively) describe themselves as “metro-classical, cinematic chamber rock.” This will either confuse you, or, when you hear them, blow your fucking mind.
The two performed along with three other gifted Berklee College of Music alum: DJ Ginyard (bass), Andy Berman (guitar), and Justin Tyson (percussion). Charly and Margaux are a phenomenon that must be seen live. Their stage presence is remarkable. Everyone could see that the smiles on their faces and the tears in their eyes were absolutely honest. And all because they are just so insanely happy to be doing what they’re doing. The performance itself can only be described in one word: passionate. Check out this picture below capturing Charly’s heart-felt expression as she literally feels the sweet melodies.
After some more emotional pieces, they broke into Kendrick Lamar’s “Bitch, Don’t Kill My Vibe”, for which the duo originally composed the string arrangement. They understand that their compositions are defying the status quo, and that their distinct sound may take some time for their audience to truly understand. Charly voices this in an interview back in 2012: “No one knows who we are right now, but we understand that what we want to contribute is going to take a lifetime to get across. We’re starting small and laying huge bricks in our foundation.”
Once the audience recouped from such an intense performance, it was time Frances Rose. Another duo, this time sisters Sarah Frances and Michelle Rose, took to the stage. Both were dressed the part, one in a glitter top and leather shorts, the other in a floral bodysuit and neon cap. They had everyone snapping pictures. They saved the best for last. Their hit electro-pop single, which was included on Kitsuné‘s AMERICA compilation for 2012, “Vampire” was accompanied by a dancer and all three of them broke into a choreographed dance. Being surrounded by music since they were born, these two ladies certainly know how to entertain an audience.
RIP stress, it’s been real. TECLA‘s about to get on stage and we all know what that means. LET GO. Let loose. And let that body move to the groove however it wants to. No one’s watching anyways. From the moment the audience meets her, in her amazing white silk boxing robe, they’re in love. You can catch right on to her quirky, fun personality. Her down-to-earth attitude relaxes the audience and gets everyone moving. How can we not? Her “danceable afro/funk/caribbean/tropical/pop” is insanely addicting. The coolest part? TECLA writes everything herself and it all comes from the heart. She’s inspired by her own life and musical journey. She started as a child pianist, and then soon added singing, rapping, DJing, and producing to the repertoire. After her set, an audience member described her music as “contagious”, and I completely agree. She loosens up her family of fans, new and old, by adding a “you better twerk!” and we eat it right up, busting out into another set of dance moves. After covering Robin S.‘s, “Show Me Love”, she humbly reminds the audience to “say five thank you’s every morning when you wake up.” Hell, a person can’t get more awesome than this.
So there you have it, the first show of TurnStyle Music Group’s Back To School Special. I would say it was a complete success, and I’m positive all of its attendees would agree. Does this sound like a fucking good time to you? Well, it was. So don’t miss the next one! Clementine and the Galaxy play at Pianos on Friday, September 20th. Read up on the event and get tickets here.
XOXO Frizzy Blonde
Author : Mary Tsoules
On Wednesday, May 22nd at Brooklyn Bowl everything was funky and the Frizzy Blonde was there to catch it. If you weren’t dancing your ass off (like I was), you had to have been trying pretty hard not to. The much-anticipated TurnStyle show was a part of the 2013 Grolsch #ChooseInteresting Music Series, a year-long program dedicated to bringing up-and-coming indie rock talent to the forefront. And that’s just what happened Wednesday night.
Upon entering the show, each member of the audience received a #ChooseInteresting Playlist drop card, in which they could download an exclusive selection of songs from TurnStyle bands. I’ve been rockin’ out to mine, have you?
We started the night off with a lively seven-piece from Boston (raised in NYC), Every Flavor Weather Machine. The crowd seemed super into the summery sounds. But it wasn’t just your typical jazz/rock collaboration; they threw a little R&B/hip-hop in there too, which only made everyone feel it even more. An entertaining mix of genres started and everyone seemed delighted by it.
The perfect start to a TurnStyle night, a seven-piece turned into a ten-piece. It was King Holiday’s time make everyone dance. And boy did they do a good job. They describe themselves as “psychedelic soul”. I think what makes every song so goddamn delicious is each member’s unique contribution to the band as a whole. In talking to the audience, I found that most were blown away, not having heard Kind Holiday before. I got high ratings from all corners of the room.
Next came TurnStyle’s freatured act of the evening, The Stepkids. Hailing from Connecticut, the trio banged out an incredible set, which featured several new songs from their upcoming second album. With it being their first New York show of 2013, they started off with a humbling “we’re so excited to be here!” But I’m pretty sure the crowd was more excited – I met several huge Stepkids fans who were thrilled to be there. I also met some newbies who had never heard them before.
New to this soul crew or not, everyone was into it. The Stepkids’ performances are always super unique. Clad in all-white attire with all-white instruments, they perform in front of a rad light show, created by the lighting designer, and considered a crucial fourth member of the band, Dave Pond. This psychedelic trio doesn’t have a sound I can re-create for you. They aren’t this band mixed with that band; they’re something no one has ever heard before, combined with an array of complex sounds that would make any true musician’s jaw drop.
The trio made fans out of everyone there, ending the show with not one, but two encores. The crowd brought them on again for a cover of “Suit and Tie” originally by Justin Timberlake, and then again for Daft Punk’s “Get Lucky”. Both renditions seemed to enthuse the audience even more.
Check out an epic moment from the night (my personal favorite) when The Stepkids jam out “Lottery” into the Bee Gees’, “Jive Talkin’” into “It’s All About the Benjamins” by Puff Daddy.
All in all, I would say it was a successful night of funk at the Brooklyn Bowl. Until the next show, stay groovy.
The Wall Street Journal has published a brief write up about The Stepkids in regards to their show with us tonight at Brooklyn Bowl! Read the full article here, or grab a copy of the paper and check out the article on page A24. Either way, get yourself to this show tonight, it’s not to be missed!
Here is one last live clip of the band to show you why you need to be at Brooklyn Bowl tonight.
Get fixed up to the nines, or don’t. Either way, come down to Brooklyn Bowl, tomorrow night (5/22/13) and get hot just like an oven with The Stepkids. Here’s another flawless cover of a current pop smash, “Suit & Tie” by Justin Timberlake. If this doesn’t get you excited for the show, you must be a Norwegian black metal purist, or something. Take a listen below, and get your tickets for tomorrow night’s show here. Oh, and don’t forget that every attendee will be automatically entered to win 2 passes to the Bonnaroo Music and Arts Festival!