BRBRCK, (pronounced Berberock) is Mike Berberich, the Scranton-born, Brooklyn-based MC with the kind of lyrical talent and ardent wordplay that’s hard to come by these days. Honest talent isn’t the only thing that sets BRBRCK apart from other hip hop artists. His genius is matched with a live band that definitely adds a jazzy bass line to his music. This “rapping white boy from Brooklyn” also writes and produces all of his own music. How rad.
He just released a music video for his new single, “Hood High”. This track has everything; Jazz, Blues, Rock ‘n Roll, and Hip-Hop, all in one song. It probably has the catchiest refrain that I’ve heard in quite some time: “We gettin’ hood high, we gettin’ hood high, we gettin’ hood high…”. It will have you cruising on another level. Just as the video portrays, it’s a tune that will perfectly accompany the activity of sitting on a stoop in Bedford Stuyvesant and *smoking*. It’s a song that will have you feeling supa fly, even if you’re totally not supa fly.
BRBRCK has performed at numerous live music venues in New York City including Arlene’s Grocery, Tammany Hall, and The Delancey. He’s super passionate about his live performance. In a video interview, he says, “I wanna turn it into a party-I wanna push that energy to the back wall.” He doesn’t care if you’re a Hip-Hop fan or not, “if you like energy, if you want to feel something you haven’t felt before, check out BRBRCK.” I don’t know about you, but all that sounds pretty enticing. Who doesn’t like a concert-party?
For those of you who like to feel energy vibes from a live Hip-Hop performance, you’re in luck. BRBRCK will be performing at Tammany Hall on Friday, March 14th, with Midnight High, Justin Henry and B&X. You can buy half price tickets in advance HERE.
future us will be performing this Friday night (11/9/12) at The Connecticut Yankee in support of Spidermeow. The duo is comprised of singer/songwriter, Megan Heavlin Ochoa and electronic artist Daniel Durrett. The two cutting edge artists are fusing the classic storytelling of folk, with the soundscapes and beats of electronica. Make sure to hear their innovative sound first hand this Friday night. Half price tickets are available here.
Listen to “On My Mind” below to get a taste of what you’ll hear on Friday night.
There is a moment on Tame Impala’s sophomore album, Lonerism, when I realized that I was listening to one of the best psychedelic rock albums of the year. When the fourth track, “Mind Mischief”, transitions from a catchy guitar groove to full-on harmonic bliss at the two-minute mark, I also realized that this one of 2012’s best albums of any genre. Lonerism is stuffed to the brim with transcendent moments such as this; crammed with imaginative details exploding off of warmly fuzzed-out guitars, bouncing bass lines, and heavily reverberating vocals. An important difference between this effort and Tame Impala’s debut, Innerspeaker, is the dominance of synthesizer and keyboards throughout. While Innerspeaker used keyboards to accent and surround many of the songs in a haze, Lonerism is happy to utilize them side by side with the guitars, in many cases completely taking the lead as the driving force.
It’s easy to peg a band many classify as “psychedelic rock” as entrenched in the past. This is simply not the case with Tame Impala. The songs here are based off of elements I could identify as “psych” or “prog”, but at no point could I picture this music coming from decades prior. Something about this band is completely modern and fresh sounding. Much could be said about this album’s lyrical content being laser-focused on themes of loneliness, isolation, and general outsider tendencies. The vocals, while quite catchy, also seem to have a lazily bittersweet current coursing through them. However, the music is so inviting and huge that it is nearly impossible to come away without a smile after finishing the record’s 52 minutes. Lonerism is one of the year’s most essential pop albums, and one that sounds destined for classic status.
Listen to stand out tracks “Apocalypse Dreams” and “Elephant” below.
Watch this amazing cover of “Feels Like We Only Go Backwards” by the PS22 Chorus from NYC. This displays the pop brilliance of these songs.
Wild Nothing is the dream pop project conceived by Jack Tatum in his college dorm room about 3 years ago. What began as a solo project, and remains in terms of songwriting and recording, has been fleshed out with a full live band. They have just released their second full length album, Nocturne, slightly over a week ago through the indie label Captured Tracks.
The style that Tatum has perfected over the last few years draws from the C86 mixtape style that NME created as a way to classify a group of UK bands in 1986 and in turn promote the readership of their magazine through the “discovery of a new genre”. The genre stemmed from the post-punk and new wave of the late 70s/early 80s and is obviously indebted to shoegaze which puts the former genres through walls of reverb and other effects, with heavy padding from cheap synthesizers. Tatum and the band have mastered the pop side of this genre, wearing their influences, like their hearts, on their sleeves. The Smiths, My Bloody Valentine, The Jesus and Mary Chain, Echo and the Bunnymen and Cocteau Twins would be great starting points to see where this style came from.
I am off to see the band tonight at the Great American Music Hall here in San Francisco. If you’re interested in seeing them live, take a look at their tour dates here, where you can also sample some of their older material.
Stream the entire new album, Nocturne, below. Stand out tracks include, “Shadow”, “Nocturne”, “Paradise” and “The Blue Dress”.
Here is your chance to give a listen to the sophomore release, Here, by Folk-Pop darlings Edward Sharpe & The Magnetic Zeros. While it hasn’t struck me quite as quickly as their debut album Up From Below, it is definitely another treasure trove of well written pop tunes that exude an overall feeling of peace, love and happiness. Listen to what may be the lead single, “That’s What’s Up”, below.
Stream the entire album over at NPR. The album is slated for release, next Tuesday, May 29th.
Also, check out our post about the band, from back in February here.
“Henrietta”, was posted online last week by We All Want Someone To Shout For. It is the latest song from Yeasayer, and was apparently sent in CD form to everyone on their mailing list. Give it a listen. I think the band has plenty of great material left in them, even after putting out two really great albums to launch their career.